Global trade and an 18th-century Anishinaabe outfit.Central American art in context: an origin story of the Bribri people.Mirror Pendant in the Form of a Bat-Human From Grave 5, Sitio Conte.Remembering the Toxcatl Massacre: The Beginning of the End of Aztec Supremacy.Stone kneeling figure of Chalchiuhtlicue.The House of the Eagles, and sculptures of Mictlantecuhtli and Eagle Warrior.The Sun Stone (or The Calendar Stone) (Aztec).The Templo Mayor and the Coyolxauhqui Stone.Yaxchilán-Lintels 24 and 25 from Structure 23 and structures 33 and 40.The Mesoamerican ballgame and a Classic Veracruz yoke.Pyramid of the Moon and Pyramid of the Sun.Rock paintings of Sierra de San Francisco. Olmec mask at The Metropolitan Museum of Art.Olmec mask (offering 20 from the Templo Mayor).Mesoamerican art in context: an excerpt from an origin story (Popol Vuh).Late pre-classic Mesoamerica, an introduction.Camelid sacrum in the shape of a canine.Paquimé (Casas Grandes), Mogollon culture.Mississippian shell neck ornament (gorget).Fort Ancient Culture: Great Serpent Mound.Teresita Fernández on Precolumbian gold.Terms and Issues in Native American Art.About geography and chronological periods in Native American art.African religious culture in the Atlantic world.Introduction to the Spanish Viceroyalties in the Americas.Defining “Pre-Columbian” and “Mesoamerica”.Elena FitzPatrick Sifford on casta paintings Reframing Art History, a new kind of textbook.Not your grandfather’s art history: a BIPOC Reader.With 503 contributors from 201 colleges, universities, museums, and researchĬenters, Smarthistory is the most-visited art history resource in the world. We believe that the brilliant histories of art belong to everyone, no matter their background. At Smarthistory, the Center for Public Art History, we believe art has the power to transform lives and to build understanding across cultures.
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